Profitt is a joy to watch as she manipulates much of the confusion, while often tipping off the audience with subtle facial expression and staccato physicality.
The Post Standard
Among the highlights are Profitt’s impeccable world-class performances as the diabolical Queen and the wrongfully-banished Belarius.
DC Metro Arts
In 12th grade English, Sabrina read Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF for the first time. When she realized the son wasn't real, that he'd been invented to be a comfort and a weapon, and could be killed by a brutal word...she threw the play against the wall as if it had bitten her. Everything Sabrina thought she knew about the world turned on a dime and she knew then what she wanted to do with the rest of her life. She wanted to tell stories.
Sabrina Profitt has worked on everything from Shakespeare to brilliant emerging playwrights up and down the East Coast. She has appeared in LORT houses, off-Broadway, and film. Most recently she has been lending her talents to the development of new plays in Philadelphia. Regionally she has worked with Walnut Street Theatre, Syracuse Stage, Riverside Theatre Company, Asolo Repertory Theatre, Florida Studio Theatre, Bristol Riverside Theatre, Quintessence Theatre, Montgomery Theatre, Luna Stage and The Guild Hall in East Hampton.
Sabrina Profitt tackles the brassy part with gusto, landing her comic lines and frequently lewd gestures with superb timing.
The New York Times
Sabrina Profitt assuredly depicts her character’s impulsive behavior, whether mistakenly swigging from a designer bottle of soap or running her somewhat foul mouth in overdrive.
The New York Times
The Backstory
The BUZZ
An Agnes Moorehead-like soubrette
Syracuse New Times
Profitt is wry, sincere and just a bit bawdy, all at the same time. She is a predecessor to the great female neighbors in sitcoms, like Rhoda Morgenstern or Ethel Mertz, sassy, but loyal to a fault to her best friend.
WWNY
Profitt plays materfamilias Bessie Berger as a wheedling, dominating presence, stifling disagreement, hatching plots, throttling her men with threats, tears, and insults.
The Philadelphia Inquirer